{"load_more":true,"html":"\t
\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

It will be a great adventure to see her [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029049, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Nijinsky out of breath and smelling [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

21<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029074, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Notes recent [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

24<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029065, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Orestes\u0092 erotic face, entranced in the moon\u0092s loneliness [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029067, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Otto is the first to awake [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

9<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029050, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

P. herself is also at a loss to really understand T.[...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029051, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

P., Close the door and lock it [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029066, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Suggestion. Paulette has a past [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

12<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029068, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Tamerlain is doing the moonlight sonata tonight [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029029, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Tamerlain is preparing the paraphernalia for a hunting trip [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029053, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Thank you [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029112, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Thank you, but [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029020, CH109<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

The tragedy of Kana-Rama? [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029021, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Then tell him [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

11<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029064, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Wait just a moment I won\u0092t be long [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029072, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

We hear a melody and like it because it reminds us of something else [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029046, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Who is it? [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Bozza sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029048, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t